interview NOAH DEWITT

Oregon Voice: It sounds like you come from a pretty “groovy” background.

Henry Church: You’re talking to the dude with tie-dye sneakers.

OV: How did you go from studying shamanism at NYU to being in this band?

Mickey Church: Yeah, it’s always interesting talking about it in hindsight because to me it was always separate. Shamanistic ritual kind of was happenstance. My advisor was the teacher of shamanistic ritual at NYU, so I just decided to take a course that my advisor was teaching, not even knowing what it was… Because he happened to be a Ph.D. in shamanism, or whatever you want to call it, and he was a shamanista himself, I took the class and really connected with it and connected with him. On the first day of school, it was a bunch of nervous kids who are in New York City for the first time, and we’re sitting in this classroom for our first class of our first day. And the teacher is nonexistent. And 10 minutes go by. Fifteen minutes go by. And after 15 minutes, this crazy guy bursts through the door, covered in dust with a  doctor’s mask on and a flashlight on his head, with his friend who had these crazy, piercing blue eyes, who’s also covered in dust. And he says, “True story, true story: We just got back from Burning Man. True story: Janis Joplin was in eagle form flying over the RV the entire way home.

By the next class a lot of the kids had dropped it, like, “I’m spending my tuition money on this?” But the people who stayed in the class are some of the only people that I became friends with in the entire university for the entire four years I was there.

That’s just one thing that happened that led me a certain way, but it could have easily not gone that way.

OV: What about your name? Is it an archery thing, or is it more like a computer mouse white arrow?

MC: It’s actually neither, or both if you guys want it to be. It’s just abstract, and whatever meaning it had when we came up with it — it’s kind of always changing based on what people assume it is or ask what it is. So I kind of like to keep it as abstract and free-formed as possible. If people want to take it literally, they can.

OV: I know you two are brothers. Are you all family?

MC: J.P.’s a half-brother by blood. We’re like cousins. And we all met through friends, and it was pretty kismet. Like how rare is it to find people, especially later in life, who are all on the same page as you. It’s like past the age of 16, I’ve made maybe 10 friends in my life, two of which happen to be likeminded individuals who want to play a similar kind of music and have the same outlook on life and the journey.

OV: How written are your songs when you step into the studio? Because your songs are really intensely produced.

MC: We write as we record. It’s all home studio stuff.

Andrew Naeve: We just write and record, and what needs to be rerecorded later, we’ll touch up after the song is written. We’ve probably recorded vocals like three different times, before just tossing it and starting over.

JPC: It’s like one of those gem tumblers, where you put in all the geodes and precious rocks, and you just tumble it and tumble it and tumble it. It takes a long time, and they turn into these beautiful smooth rocks.

OV: You’ve referred to yourselves as tropical crunk music?

HC: Many times.

OV: What aspects of crunk do you guys adapt to your style?

MC: Mostly the dancing.

AN: Mostly nothing. Besides the vibe. We don’t have crunk cups.

HC: I do.

The picture quality came out pretty wirey, but I did take liberties with showing off my hebrew skillz (we’ll see about that).

Until next time, shalom! And a quick ‘hello’ from Ami Shalev of Monotonix.